Music Production School The Master Mixing Course (New Version) TUTORiAL [oddsox]


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Torrent File Content (57 files)


Music Production School The Master Mixing Course (New Version) TUTORiAL [oddsox]
     firstimpressions.url -
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    Music Production School - The Master Mixing Course
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Description



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The Master Mixing Course is specifically designed to hone the skills acquired from the Basic and Advanced Mixing Courses. The lessons learned in this course will define the master mix engineer’s mental and technical approach to the most common problems encountered in the mixing process on an instrument by instrument basis.

The objective of this course is to teach you a master’s approach to mixing that will turn your “mixes” into finished, professional sounding “records”.

The Master Mixing Course Includes:

10 three-hour Classes
Each class provides mixing demonstrations. (30 hrs total)
1 Year Access to all Class Videos and materials
Direct Email access for course related questions






The Program
Each of the 10 Classes itemized below includes 3 hours of mixing demonstrations. The lessons are divided up into individual videos as listed below for reference and ease of access.

Class 1: Mastering the Basics of Mixing
What separates a master mix engineer from the rest is not secret information, expensive gear or loads of plugins. It is their mastery of the basic principles of mixing. It is also important to understand the approach different genres of music. This is much more than just ‘liking’ a style of music, it is about understanding the engineering principles and approach that creates that sound

Master the Basics of Mixing
Mixing and Loudness
Mixing for Your Audience
Mixing Pop Records
Mixing Rock/Metal Records
Mixing Hip-Hop/Rap Records
Mixing Dance/Remix Records
Mixing EDM Records
Mixing Retro Records
Mixing Classical/Jazz records


Class 2: Mixing Acoustic Drums
Historically, engineers have always been defined by their ability to get great drum sounds. This measure was created due to the many challenges of getting great sounds with acoustically recorded drums. These lessons will teach you the essential elements for getting great acoustic drum sounds.

Mixing Acoustic Drums
Assessing Drums Sounds
Phase Aligning Drums
Gates vs. Automation
Mixing Bass Drums
Mixing Snares
Mixing Toms
Mixing Hi Hats and Cymbals
Mixing Room Mics
Sample Replacement
Working With Effects


Class 3: Mixing Programmed Drums and Percussion
Programmed Drums have the advantage of isolated sounds, but also offer many challenges that are not obviously apparent. These lessons will teach you how to work with programmed drums and also cover mixing acoustic percussion.

Mixing Programmed Drums
Mixing Programmed Bass Drums
Mixing Programmed Snares
Mixing Programmed Fills
Mixing Programmed Hi Hats and Cymbals
Mixing Programmed Percussion
Making Programmed Drums Sound Real
Mixing Programmed Drum Effects
Mixing Acoustic Percussion
Mixing Sampled Loops


Class 4: Mixing Bass and Guitars
The foundation of a rhythm section is defined by the way bass and guitar sounds are blended in with the drums. Guitar and Bass may actually be the most difficult of instruments to mix effectively because of the complexity and range of frequencies they occupy. These lessons will cover the broad spectrum of challenges that come with getting great sounds for guitars and basses.

Working With low Frequency Instruments
Mixing Bass Amps and DIs
Re-amping Basses
Mixing Programmed Basses
Mixing Acoustic Guitars (single and multi-mic)
Mixing Clean Electric Guitars
Mixing Distorted Electric Guitars
Re-Amping Guitars


Class 5: Mixing Piano, Classic Keys and Synths
Keyboard Instruments cover an extraordinarily wide range of sounds, tonal colorations and frequencies. This means that they serve many different roles in a mix from occupying the basic rhythm section, to groove generating melodic rhythms, to atmospheric pads and all the way up to solo or lead instruments.

Mixing Acoustic Piano
Mixing Classic Keyboards
Mixing Organs and Rhodes
Mixing Electronic Pianos
Mixing Analog Synths
Mixing Bass Synths
Mixing Pads and Strings
Mixing Percussive Melodic Synths
Mixing Lead Synths


Class 6: Mixing Orchestral Instruments
Orchestral Instruments are widely used in almost all styles of music. The wide range of sounds and rich history offer many challenges to the mix engineer’s ability to clearly define each instruments unique character and sound.

The Layout of an Orchestra
Mixing Strings – Group and Solo (Bass, Cello, Viola, Violin)
Mixing Woodwinds (Flutes, Saxes, Clarinets, Oboes, Bassoons)
Mixing Brass Instruments (Trumpets, Trombones, Big Brass)
Mixing Pitched Orchestral Percussion (Vibes, Xylophones, Triangles Etc…)
Mixing Tympani
Mixing Harpsichords
Mixing Harps
Mixing Orchestral Hits and Samples


Class 7: Mixing Miscellaneous Instruments and Sound Effects
There are many instruments that fall between the cracks of most songs. But their unique nature and sound require special treatment in order to preserve their authenticity and character in a mix.

Mixing Ukelele and Mandolin
Mixing Banjos, Pedal Steel and Slide Guitar
Mixing Blues Harp and Harmonica
Mixing Accordions and Harmonium
Mixing Sound Effects
Mixing Environmental Sounds
Mixing Explosions and Gunshots
Mixing Cinematic Effects


Class 8: Mixing Lead Vocals
No single instrument is featured more in music than the lead vocal. Because the human ear is more sensitive to the human voice than any other instrument, mixing vocals requires extra special attention.

Mixing Male Vocals
Mixing Female Vocals
De-Ess, De-Breath and Plosives
Pitch Correction (Natural and for Effect)
Mixing Reverb and Early Reflections for Vocals
Mixing Delays For Vocals
Mixing Telephone, Megaphone and Distortion Effects
Automation Techniques for Vocals


Class 9: Mixing Background and Group Vocals
Mixing background and group vocals also offers many challenges in the mixing process. Panning, balancing harmonies, correcting timing and pitch issues are just a few.

Mixing Vocal Doubles
Mixing Vocal Harmonies
Mixing Group Harmonies
Mixing Gang Vocals
Mixing Choirs and Choral Groups
Adding Size and Numbers to BG Vocals
Effects Processing Techniques For BG Vocals


Class 10: The Finished Mix
The final lessons in the Master Mixing Course are designed to focus your approach on the fundamental elements that make a mix into a finished record. Without these basic elements any mix, no matter how good the sounds, will never come to life.

Establishing the Groove of a Song
Establishing the Shape of a Song
Mixing the Transitions
Guiding the Listener’s Attention
Mixing and the Art of Deception
Bringing Emotion Into a Mix
The Art of Mixing – Final Thoughts


http://blog.music-production...er-mixing-courselaunch-page/

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